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mithu sen

works freemithu about connect

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Initiated in 2007, Free Mithu started as an online invitation extended to friends, acquaintances and strangers. I asked them to send me a letter of love in exchange for a gift of an artwork I would present to them in the future. My intention was to open gaps where genuine intimate interaction could be performed between people around an artwork, away from the market driven culture that was heavily dictating formats of engagement between the artist, artworks and audiences. I was (un)lettered with sweaters, conversations in person over a lemon cake, diaries and much more. The former online format extended to a manifested space, where I performed Free Mithu at KHOJ in Delhi, India. This one the first of many tangible exhibitions, performances and interactions that have sprung from my engagement with this project.

<NOTHING IN LIFE IS FREE>
The journey of Free Mithu which continues to soldier on have revealed the complexities and contradiction of the core theme of the project- the gift. A gift denotes an object, where the value is more than its tactile form, the (un)tactile is the source of the actual value. But can an exchange really be free? And if its free, is the intentioned value agreeable between the two parties? This scenario revealed layers of human interactions, relationships, expectations and performance of roles of giver and receiver.

<A GIFT IS A GIFT IS A GIFT>
Over the last ten years Free Mithu has branched into additional interventions that I have initiated. It is in a constant state of (un)doing and (un)making. Although it continues in its original format where I am still making and sending artworks to those who sent me a letter of love, I am conceptually furthering the intention into new engagements every year. The artworks I give for charity auctions are a gesture to insert free gifts into the market, for the consumption of the buyers. My performances on radical hospitality echo the core philosophy of Free Mithu- offering something valuable and establishing alternative methods of consumption and exchange between people and myself- where the value is above what is apparent at the surface
projects

2026
What Do Birds Dream At Dusk?

2025
Unmyth Acknowledgement

2024
I AM OL CHIKI
A PRAYER UNANSWERED
Shadows.One Yet Separate

2023
Hiraeth 
mOTHERTONGUE
iWITNESS
“I am from there. I am from here”
mOTHER I SPELL YOU WRONG

2022
Until you 206

2021
Be Beyond Being
Until You..

2020
Uncatharsis
BERKELEY FOR SALE !!
QR
Unlockdown

2019
UnMansplaining
Lunch is cancelled
How to be a SUCKcessful Artist
100 (un)silent ways

2018
UnMYthU: UnKIND(s) Alternatives

2017
Unlynching
Sounding Drawing
Unline
Unhome in City IF Angels
We Unfinish each other
I Replace You
Embodied Language
Return Gifts: For Sale

2016
(Left Untold)
Aphasia
Kenopsia
Mis(s)Guide

2015
Tongue that won't stop wounding
Unwor(l)dly
Nonversation

2014
Border Unseen
Shop Lifting
I have only one language; it is not mine
Poems Declined
A ° V O I D

2013
I Am a Poet
Deafening Silence
Same River Twice
Artist: Unknown
Cannibal Lullaby

2012
I am not me
Devoid
In House Adoption
Twinkle Twinkle

2011
MOU (Museum of Unbelongings)
Once upon a sari
Ahh Taj !!
For(e)play
In Transit
No thing

2010
graffiti
Black Candy (Iforgotmypenisathome)
Unwanted

2009
Abstract Cabinet
Dropping Gold, Dropping Gold
Me two

2008
Nothing lost in translation
I dig,I look down

2007
Non spinal
Freemithu 2007-ongoing
Half Full
Kamdhenu
Indubala and her Unbelongings

2006
I chew, I bite, The Unknown
Icarus
All that's solid melts into air
It's good to be a queen
Letters on the beach
Drawing Room
Ephemeral Affair
Being Anastacia

2005
Spiritual materialistic

2004
No star, No land, No word, No Commitment
Breathing
Burnt by the sun
Outside the war zone

2003
I hate pink
Twilight Zone

2002
No way out

2001
Unbelongings

2000
Can we really look beyond the map?
Hair Unbelongings